Felicia2010-04-09 14:33:16
Okay, technically, this "song" will actually comprise two poetic quatrains distributed into four Lusternian stanzas each, and ending with a couplet that gets one Lusternian stanza all to itself. It also utilizes perfect rhyme, which is considered rather amateurish these days... but hey, I couldn't care less. I like rhyming.
Behold! Mother Night is richly swath'd
In samite of depthless ebon hue;
Upon her hair is wreath'd a crown
Of silv'ry pinpricks: dark sky's distant dew.
Beware the gloaming, all who oppose!
Lest savage malisons scourge your mind;
Should you glimpse a cloak of twilit pinions,
Brother Crow, unseen, surely follows close behind.
F'ai Glomdoring! Our clarion call! Ring triumphant, for our enemies doth fall.
Behold! Mother Night is richly swath'd
In samite of depthless ebon hue;
Upon her hair is wreath'd a crown
Of silv'ry pinpricks: dark sky's distant dew.
Beware the gloaming, all who oppose!
Lest savage malisons scourge your mind;
Should you glimpse a cloak of twilit pinions,
Brother Crow, unseen, surely follows close behind.
F'ai Glomdoring! Our clarion call! Ring triumphant, for our enemies doth fall.
Siam2010-04-09 14:59:28
QUOTE (Felicia @ Apr 9 2010, 10:33 PM) <{POST_SNAPBACK}>
Okay, technically, this "song" will actually comprise two poetic quatrains distributed into four Lusternian stanzas each, and ending with a couplet that gets one Lusternian stanza all to itself. It also utilizes perfect rhyme, which is considered rather amateurish these days... but hey, I couldn't care less. I like rhyming.
Behold! Mother Night is richly swath'd
In samite of depthless ebon hue;
Upon her hair is wreath'd a crown
Of silv'ry pinpricks: dark sky's distant dew.
Beware the gloaming, all who oppose!
Lest savage malisons scourge your mind;
Should you glimpse a cloak of twilit pinions,
Brother Crow, unseen, surely follows close behind.
F'ai Glomdoring! Our clarion call! Ring triumphant, for our enemies doth fall.
Behold! Mother Night is richly swath'd
In samite of depthless ebon hue;
Upon her hair is wreath'd a crown
Of silv'ry pinpricks: dark sky's distant dew.
Beware the gloaming, all who oppose!
Lest savage malisons scourge your mind;
Should you glimpse a cloak of twilit pinions,
Brother Crow, unseen, surely follows close behind.
F'ai Glomdoring! Our clarion call! Ring triumphant, for our enemies doth fall.
Congratulations! You are now a hired writer for the Glomdoring Library!
Ileein2010-04-09 15:01:47
Very good! I like it!
I wonder if anyone's ever done a bard version of "This is the Song that Never, Ever Ends." /random
I wonder if anyone's ever done a bard version of "This is the Song that Never, Ever Ends." /random
Felicia2010-04-09 21:37:29
QUOTE (thisismydisplayname @ Apr 9 2010, 10:59 AM) <{POST_SNAPBACK}>
Congratulations! You are now a hired writer for the Glomdoring Library!
Awesome!
(Do you mean that literally? What does it entail, other than the obvious?)
QUOTE (Ileein @ Apr 9 2010, 11:01 AM) <{POST_SNAPBACK}>
Very good! I like it!
I wonder if anyone's ever done a bard version of "This is the Song that Never, Ever Ends." /random
I wonder if anyone's ever done a bard version of "This is the Song that Never, Ever Ends." /random
Thank you! And, I hope not....
Rika2010-04-09 21:49:19
Yay rhyming!
Just wondering, what is a Lusternian stanza?
Just wondering, what is a Lusternian stanza?
Zallafar2010-04-09 22:01:45
QUOTE (rika @ Apr 9 2010, 02:49 PM) <{POST_SNAPBACK}>
Just wondering, what is a Lusternian stanza?
The usual definition of stanza is "an arrangement of a certain number of lines, usually four or more, ..." but for bard's composition skill each line is referred to as a stanza.
Talan2010-04-09 22:03:17
Each 75 character-max line of a bard song is a stanza.
I like the rhyming and I love this song! It is a good line for your dirge, too!
I like the rhyming and I love this song! It is a good line for your dirge, too!
Felicia2010-04-10 00:30:17
QUOTE (rika @ Apr 9 2010, 05:49 PM) <{POST_SNAPBACK}>
Just wondering, what is a Lusternian stanza?
It's just a made-up phrase I'm using because of Lusternia's game mechanics. Typically, bards will only assign one line of verse to each "stanza" in our songs. Not only is there a character limit, but running two discrete verses together on one line (instead of having them on separate lines) might ruin the flow of the song/poem.
In the real world, a stanza comprises a couplet (two lines), tercet (three lines), quatrain (four lines), or so on and so forth. You'll note there's no option for a one-line stanza, thus the discrepancy in terminology when comparing real-life terms to Lusternian game mechanics.
(Yay unnecessarily long elaboration? )
Thank you all for the compliments! Especially Talan, our guild Champion!
Siam2010-04-20 17:09:45
QUOTE (Felicia @ Apr 10 2010, 05:37 AM) <{POST_SNAPBACK}>
Awesome!
(Do you mean that literally? What does it entail, other than the obvious?)
(Do you mean that literally? What does it entail, other than the obvious?)
It means I'll be expecting written works from you IG.
Felicia2010-04-24 14:29:00
QUOTE (thisismydisplayname @ Apr 20 2010, 01:09 PM) <{POST_SNAPBACK}>
It means I'll be expecting written works from you IG.
Huh! For some reason, I hadn't noticed there were new replies to this thread until approximately fifteen seconds ago.
I will certainly be writing pamphlets, books, songs, poems, descriptions, designs, and plays, all in due time. At the moment, however, I am focused on reading other players' books, soaking up Lusternian lore, and mastering the basics of gameplay, not to mention wrangling unruly aliases, triggers, and variables.
Siam2010-04-24 14:46:04
QUOTE (Felicia @ Apr 24 2010, 10:29 PM) <{POST_SNAPBACK}>
Huh! For some reason, I hadn't noticed there were new replies to this thread until approximately fifteen seconds ago.
I will certainly be writing pamphlets, books, songs, poems, descriptions, designs, and plays, all in due time. At the moment, however, I am focused on reading other players' books, soaking up Lusternian lore, and mastering the basics of gameplay, not to mention wrangling unruly aliases, triggers, and variables.
I will certainly be writing pamphlets, books, songs, poems, descriptions, designs, and plays, all in due time. At the moment, however, I am focused on reading other players' books, soaking up Lusternian lore, and mastering the basics of gameplay, not to mention wrangling unruly aliases, triggers, and variables.
Excellent!